INTERIOR DESIGN
Interior designers took the project further, forming the ambience. From the outset, PT Freeport Indonesia suggested that some of the Papuan culture should be reflected on the building. However, there is no precursor of this on other buildings in ITB Campus. There is only limited esthetique elements in the ITB Campus. Furthermore, there is no code about applying cultural artefact in the campus. The designers argued that an educational building should not be designed like a hotel, rather it should shows order but also openness. It should accept novelty but conserve proven guiding principles. Cultural artefacts should be placed to subtly create a Papuan nuance.
In order to achieve the best results, the Interior Design Consultant was asked to collaborate with the ITB Interior Design Program. The Interior Design professor also invite an artist who is knowledgeable about Papua crafts.
SHADING—There is a lot of tribes in Papua, each with their specific crafts creating different artefacts. However, people who live on the higher land didn’t produce sculptures in contrast to people living in the lowlands. Choosing ornaments or sculptures should consider these differences. It is decided to redesign or simplify a Papuan ornament and use it as shading.
LOBBY—It is hoped that once a person enter the SBM lobby, a sense of Papua should be felt immediately (Iwan Kaljat, PT Freeport Indonesia VP Special Project). However, the lobby should also show the objective of the institution. The designer, then, chose a Wemawe sculpture that represent Kamoro people Ancestor. The sculpture is strongly represented Papua culture because it is carved in the Southern Papua Lowland style.